Minimal and playful, Noa Giniger’s work is founded on the idea that nothing is stable, secure, or steady. As a consequence, a substantial part of her work relates to longing and the bittersweet of letting go. She investigates modes of navigation in this world, physical and emotional, inspired by systems of mapping and measurement, language and naming, natural laws and social codes. She explores the ways in which time and intimacy are linked, and addresses the difficulty of capturing intimacy with words. She uses different modes of collaboration and the ecosystem of the arts, creating occasions for collaborative practices and access. The outcomes of her projects include site-specific installations in both private and public space, sound, video, websites, objects, works on paper and writing. Additionally, Noa represents half of the spoken-word-poetry duo Noon & Ain with musician Anat Spiegel.
Noa Giniger graduated from the École Nationale Supérieure des Beaux-Arts de Paris and attended the School of Art at Carnegie Mellon University. She was a participant in the two-year program De Ateliers, Amsterdam; a Royal Dutch Institute Affiliated Fellow at the American Academy, Rome; an artist in residence at Villa Empain – Fondation Boghossian, Brussels and at Artport Tel Aviv. Her work has been presented in various international solo and group exhibitions including ICA, Philadelphia; Western Front, Vancouver; Air de Paris, Paris; De Appel, Amsterdam; among others. Noa is also a board member at Tohu – an independent online art magazine dedicated to promoting clear and engaged writing about art and culture in Hebrew, Arabic, and English; and at puntWG – an artist-run experimental community and presentation space in Amsterdam. Noa Giniger lives and works in Amsterdam.
CONTACT
Marius van Bouwdijk Bastiaansestraat 153
1054 RW, Amsterdam
Netherlands
neshama(at)gmail.com
@noa.giniger
CREDITS
Clare Butcher
fanfare & Haris Hadžić
Mondriaan Fonds
The Contemporary Centre for Art | Residency
November 2021, May 2022, January 2023
The Contemporary Centre for Art, Arad, IL
Artists Residence Herzliya | Residency
September – October 2021
Artists Residence Herzliya, Herzliya, IL
Artport | Residency
April – June 2021
Artport, Tel Aviv, IL
Open skies | Group Show
Curator: Avi Lubin
12 – 14 November 2020
Loving Art. Making Art. Tel Aviv, IL
The Sorrow the Joy Brings | Online contribution
Invitation by Tal Yahas and Rinat Edelstein
המצאת הטבע Issue #30, Harama (on-line magazine), 2020
Poeticising Leisure | Group show
29 May – 11 July 2020
Althuis Hofland Fine Arts, Amsterdam, NL
Viral Self-Portraits | Online Exhibition
Invited by Galit Eilat
15 May – 31 December 2020
MG+MSUM, Ljubljana, SI
Chapter 3HREE | Artist Talk
8 March 2020, 4 – 5 p.m.
With Desiree Dolron, Noa Giniger and Maria Roosen
Het Hem, Zaandam, NL
Limited Edition Art Fair | Prints and Multiples
14 – 16 February 2020
Fondation Boghossian – Villa Empain, Brussles, BE
Chapter 3HREE | Group show
Curated by Rieke Vos and Maarten Spruyt
14 January – 3 May 2020
Het Hem, Zandaam, NL
Mondriaan Fonds | Grant
Receiver of Stipendium for Established Artists
(Werkbijdrage Bewezen Talent)
2018 – 2022
Flowers of Our Land | Group Show
Curator: Udi Edelman
16 February – 18 May 2019
Israeli Centre for Digital art in Holon, IL
Get Lost Dreams | Online contribution
Invitation by Tal Yahas and Rinat Edelstein
Futures Issue #25, Harama (on-line magazine), 2019
Noon & Ain in Nanopoetica | Special contribution
Edited by alex Ben-Ari
Second Hebrew Anthology of Conceptual Poetry
Launch: 21 November 2019
Print screen Festival, Israeli Centre for Digital art in Holon, Israel
Leaving Living | Screening
Curator: Jean-Marie Gallais
9 December 2018, 6 p.m.
Centre Pompidou-Mertz, Mertz, FR
Cool Loneliness | Solo Exhibition
Initiated and organized by Sascha Pohle and Tao G. Vrhovec Sambolec
Exhibition: 14 – 15 July 2018
Opening: 13 July 2008, 6 – 9 p.m.
Home Sequence
בשנים האחרונות, הבוץ גדל | Online contribution
Invitation by Tal Yahas and Rinat Edelstein
Chain Reaction, Issue #21, Harama (on-line magazine), 2018
Unwilling: Exercise in Melancholy | Group show
Curators: Vanessa Kwan and Kimberly Phillips
Exhibition: 12 March – 28 April 2018
Artists talk: 21 March 2018, 5 p.m.
Cantor Fitzgerald Gallery, Haverford College, PA, USA
Multiples and Editions | Group show
The Hazenstraat Biennale: 15 – 31 March 2018
Gallery Martin van Zomeren, Amsterdam, NL
The Merry-Go-Round (part 2) | Group Show
Curator: Jeanine Holfland
Exhibition: 16 February – 3 March 2018
Juliette Jongma Gallery, Amsterdam, NL
As Long As | Limited Edition ⏳?
NU NU NU NOW NOW NOW
Stedelijk Museum Shop, Amsterdam, NL
2004
Slide, slide projector, timer
Projected image: 10 x 15 cm
2004
Slide, slide projector, timer
Projected image: 10 x 15 cm
A found scene in the suburbs of Philadelphia; a shadow in the form of a house is created by the angle of the sun on the façade of this building. The projector is programmed to turn on for one minute every 24 hours, at the precise hour when the photo was originally taken. The rest of the time, the projector is off.
related works:
Digital print
24 x 18 cm
2007
Digital print
24 x 18 cm
2007
Neither the street lamp nor the sun are in full brightness. One is fading in and one is fading out. While on a beach walk in Israel at sun-set hour I noticed a street lamp turning on in parallel to the sun setting. I took a snapshot of this still life in motion – a full spectrum of colors, a daily shifting alteration between a natural phenomenon and an electronic light source.
related works:
Installation, mirror, tripod, sunlight, ceiling
Variable dimensions, 5 hours duration
2018
Installation, mirror, tripod, sunlight, ceiling
Variable dimensions, 5 hours duration
2018
Tuned precisely to follow the opening hours of the exhibition Cool Loneliness, this spatial sundial liberates me from regularly checking the hour. The mirror is positioned in such a way that at 2 p.m., the opening hour, a ray of sunlight that enters through the window is directed to the ceiling. During the following five hours, the projected sun beam traverses the living room space until precisely 7 p.m. – the closing hour – when it exits the space.
related works:
Mirror on tripod, switched off light bulb, sunlight
Variable dimensions
2005
Archival pigment print
80 x 120 cm
2005
Mirror on tripod, switched off light bulb, sunlight
Variable dimensions
2005
Archival pigment print
80 x 120 cm
2005
Catching (day) Light was made in a private residency in Paris: via a mirror placed on the floor, a ray of sunlight illuminates the light bulb until the ray moves away and the bulb is turned off again. While in the another space, applying the same trick, a ray of sunlight fills in the middle of the ceiling molding ornament for a short period of the day.
related works:
Garden solar lights, glass and wood showcase with permanent light, two daylight fluorescent tubes
Vitrine: 156 x 140 x 50 cm
Ongoing (Since 2008)
Garden solar lights, glass and wood showcase with permanent light, two daylight fluorescent tubes
Vitrine: 156 x 140 x 50 cm
Ongoing (Since 2008)
A garden solar light is placed where its solar panel can collect the maximum amount of full, direct sunlight. During the day, the solar panel converts sunlight into electricity and recharges the battery. The more sunlight it receives; the more power can be stored for the light to use at nighttime. Once night falls, a sensor turns the light on automatically. The solar lights in Ongoing Collection are placed in a glass showcase illuminated by daylight temperature fluorescent lamps. Here, night never falls and the collection never sees daylight. This artificial light does not operate merely to make the collection visible but to incessantly energize it and consequently prevent the lights from turning on. Every time the work is exhibited, a new and varied combination of the growing solar light collection is presented.
related works:
Light installation, vertical blinds, cellophane papers, daylight, daylight bulbs
Variable dimensions
2007
Light installation, vertical blinds, cellophane papers, daylight, daylight bulbs
Variable dimensions
2007
This work is based on a 24-hour cycle. Colour cellophane papers cover the window in a room and creates a full color spectrum on the nearby wall. As the daylight fades so does the spectrum until only the white light, coming from the daylight bulbs, remains.
related works: