Minimal and playful, Noa Giniger’s work is founded on the idea that nothing is stable, secure, or steady. As a consequence, a substantial part of her work relates to longing and the bittersweet of letting go. She investigates modes of navigation in this world, physical and emotional, inspired by systems of mapping and measurement, language and naming, natural laws and social codes. She explores the ways in which time and intimacy are linked, and addresses the difficulty of capturing intimacy with words. She uses different modes of collaboration and the ecosystem of the arts, creating occasions for collaborative practices and access. The outcomes of her projects include site-specific installations in both private and public space, sound, video, websites, objects, works on paper and writing. Additionally, Noa represents half of the spoken-word-poetry duo Noon & Ain with musician Anat Spiegel.
Noa Giniger graduated from the École Nationale Supérieure des Beaux-Arts de Paris (2005) and attended the School of Art at Carnegie Mellon University as an exchange student (2003-2004). She was a participant in the two-year program De Ateliers, Amsterdam (2006-2008), a Royal Dutch Institute Affiliated Fellow at the American Academy, Rome (2011) and recently, an artist in residence at Villa Empain – Fondation Boghossian, Brussels (2019). Noa is a recipient of the Stipendium for Established Artists from Mondriaan Funds (2018-2022) and Development Grant from Amsterdam Fonds voor de Kunst (AFK) (2016). Her work has been presented in various international solo and group exhibitions including ICA, Philadelphia; Western Front, Vancouver; Air de Paris, Paris; De Appel, Amsterdam; among others. Noa is also a board member at Tohu – an independent online art magazine dedicated to promoting clear and engaged writing about art and culture in Hebrew, Arabic, and English; and at puntWG – an artist-run experimental community and presentation space in Amsterdam. Noa Giniger lives and works in Amsterdam.
Amsterdam 1054 RA
Open skies | Group Show
Curator: Avi Lubin
12 – 14 November 2020
Loving Art. Making Art. Tel Aviv, IL
Poeticising Leisure | Group show
29 May – 11 July 2020
Althuis Hofland Fine Arts, Amsterdam, NL
Viral Self-Portraits | Online Exhibition
Invited by Galit Eilat
15 May – 31 December 2020
MG+MSUM, Ljubljana, SI
Chapter 3HREE | Artist Talk
8 March 2020, 4 – 5 p.m.
With Desiree Dolron, Noa Giniger and Maria Roosen
Het Hem, Zaandam, NL
Limited Edition Art Fair | Prints and Multiples
14 – 16 February 2020
Fondation Boghossian – Villa Empain, Brussles, BE
Chapter 3HREE | Group show
Curated by Rieke Vos and Maarten Spruyt
14 January – 3 May 2020
Het Hem, Zandaam, NL
Mondriaan Fonds | Grant
Receiver of Stipendium for Established Artists
(Werkbijdrage Bewezen Talent)
2018 – 2022
Villa Empain | Residency
November 2018 & April 2019
Fondation Boghossian, Brussels, BE
Flowers of Our Land | Group Show
Curator: Udi Edelman
16 February – 18 May 2019
Israeli Centre for Digital art in Holon, IL
atelierWG | Open Studio
28 & 29 September 2019, 12 – 5 p.m.
Studio 33C, WG-Plein, Amsterdam, NL
Cool Loneliness | Solo Exhibition
Initiated and organized by Sascha Pohle and Tao G. Vrhovec Sambolec
Exhibition: 14 – 15 July 2018
Opening: 13 July 2008, 6 – 9 p.m.
Unwilling: Exercise in Melancholy | Group show
Curators: Vanessa Kwan and Kimberly Phillips
Exhibition: 12 March – 28 April 2018
Artists talk: 21 March 2018, 5 p.m.
Cantor Fitzgerald Gallery, Haverford College, PA, USA
Multiples and Editions | Group show
The Hazenstraat Biennale: 15 – 31 March 2018
Gallery Martin van Zomeren, Amsterdam, NL
The Merry-Go-Round (part 2) | Group Show
Curator: Jeanine Holfland
Exhibition: 16 February – 3 March 2018
Juliette Jongma Gallery, Amsterdam, NL
As Long As | Limited Edition ⏳?
NU NU NU NOW NOW NOW
Stedelijk Museum Shop, Amsterdam, NL
Video installation, 10’30” loop
Video installation, 10’30” loop
The film frames and follows a mise-en-scène I created: a structure – the façade of which is decorated by a light garland –, a carpet in front of the entrance door, and a white plastic fence that surrounds its territory, its non-existent garden. The structure is located on a one-way street. The string of lights turns on for few seconds each time a car approaches the structure. The illumination is short, lasting only for the duration of the passage of the car. Elsewhen, the scene is dark, quiet, with no indications for when the next illumination will occur. The car did not choose its role, nor is it informed as to the consequence of its act. It penetrates the zone controlled by a movement detector and thus forces the facade-house to turn on. From the vehicle’s point of view, the structure is always illuminated, always animated. The camera, which documents the scene, captures the full sequence of events. It is programmed on night-shot and on automatic focus. The image does not have colors and oscillates between focused and blurry, without any human control.